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Hothouse Rehearsal - Studio A



Rates

Per Hour $20
Per Day $180

Sizes

Studio Area 480 sq. ft.
Length 24' Width: 20' Height: 12' 6"

NOW OPEN 7 DAYS A WEEK │ 10AM to 1AM │ CALL TODAY │ 562.945.1300

This is a premium large studio with the square footage to accommodate bands from 4 to 20 pieces. You can add multiple keyboardists, percussionist, a horn section and background singers to the mix and still have room to breathe. Studio A includes floor wedges for your vocal monitoring system and a FOH side fill speaker system for a massive wall of sound PA.

All of our studios are designed and built to meet your need for sound clarity. We understand the importance of hearing exactly what you are singing and playing. We accomplished this by including a bass trap and installing a baffling system on the ceiling to continuously gobble up old frequencies. The baffling system diffuses and adsorbs the high to mid frequencies while the bass trap handles the low frequencies. What this means to you is the room will never load up with old frequencies and will always sound clear, never like you are under water.

To meet your power needs (14) fourplex electrical outlets are conveniently placed throughout the studio. Studio A includes a dark blue full length curtain on a 20' wall. This works great as a backdrop for photos and video shoots.

Studio Specifications

Power: (14) - 4 duplex 20 Amp Edison wall circuts
Floors: Dark Blue Carpet on concrete
Walls: Acoustical Treatment - Navy Blue Panels
Acoustics 20' x 12' Full Length Curtain, 2' x 8' Bass Trap
Ceiling: Absorption/Diffusion Baffling System
Ceiling Height: 12 FT
Lighting: (6) Hanging lamps w/ wall control dimmers
Studio Area: 480 SQ. FT 20' x 24'
Staging: 8' x 8' carpet on wood, or Built as requested - added charge
Internet: Wireless & CAT6
Price: $20/hour | $165 per day 12pm - 1am

Audio Back Line Equipment

FOH and Monitor system w/ sidefills & floor wedges

Speakers: (2) 15” JBL MP415  floor wedges (RMS 350 W peak 1400 W @ 8 ohms),
(2) 15” HRS-15H FOH sidefills (RMS 500 W, Peak 1000 W @ 8 ohms).
Power Amps: QSC RMX 2450 (stereo 500watts @ 8ohms per channel) and Crown XLS 602 (Stereo 600 watts @ 4 ohms per channel).
Misc & Stands: (2) Samson Q7 ; (1) Schure SM58 pro vocal microphones with (3) boom stands (1) straight stand.
Mixing Board: Mackie 1402VLZ 14-channel ultra-low noise pro mixer, 6 studio-grade XLR Extended Dynamic Range mic preamps, 4 stereo inputs, 12 high-headroom line inputs, Ultra wide 60db gain range.
Outboard Gear: Alesis Midiverb lll studio grade multi- effects processor featuring natural reverb, delay and rich chorus). (2) 3630 Alesis compressors (dynamic range processor).
(1) Furman power conditioner.

Equipment Back Line

(2) Guitar Rigs, Bass Amp and Drum Kit with Cymbals

Guitar, Amps and Cabinets: (1) Marshall MG100HDFX 2-channel 100 W amp head featureing digital effects including reverb, delay, chorus, and flange
(1) Marshall MG412A 8-ohm 120W angled cabinet loaded with 4 - 12" custom-voiced Marshall/Celestion speakers.
(1) Marshall MG100HDFX 2-channel 100 W amp head featureing digital effects including reverb, delay, chorus, and flange
(1) Basson B412 8-ohm 300 W angled cabinet loaded with 4 - 12" Eminence Legends speakers.
Bass Rig: Ampeg B2RE 450 W @ 4-ohm bass amplifier head on a Peavy 215 4-ohm 400W bass cabinet loaded with 2-15" Eminence Delta speakers
Drum Kit: 5 pc. DW Pacific CX series drum kit with all-maple shells for a punchy, penetrating sound. True-Pitch tuning and STM Pro tom mounts. 18"x22" bass drum; 10"X8", 12"x9" and 14"x12" toms and a 5"x14" snare
Hardware: DW 5000AD3 dual chain bass drum pedal, Tama Ergo-Rider Trio HT730 Throne
(3) Yamaha CS865 double braced boom cymbal stands, Yamaha SS740A single braced snare stand
Yamaha HS 740A chain driven Hi-Hat Stand with rotating legs.
Cymbals: Sabian B8 Cymbals (18" & 16" crash, 22' ride and 14" hi hats

Cancellation Policy
Your rehearsal time is reserved exclusively for You. 24 hours notice is appreciated if you are unable to keep your appointment. Late cancellation fee may apply. Thank You.

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